\version "2.13.46" \include "deutsch.ly" #(set-default-paper-size "a4") #(ly:set-option 'point-and-click #f) % ########################## Makros ################### % kleine Noten kl = \tiny % normal große Noten nm = \normalsize % Trillersymbol = Pluszeichen tr = ^\markup { \bold {+}} % bei Verzierungen: Hälse kürzen, Hals nach unten, kleine Noten sk = { \once \override Stem #'length-fraction = #0.6 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } ska = { \once \override Stem #'length-fraction = #0.6 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } skn = { \once \override Stem #'length-fraction = #1 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } sn = \override Stem #'length-fraction = #1 %normale Länge % Hälse verlängern lh = { \once \override Stem #'length-fraction = #0.5 } nh = { \once \override Stem #'length-fraction = #1 } % ########################## Ende Makros ################### \paper { myStaffSize = #20 #(define fonts (make-pango-font-tree "Times New Roman" "Arial" "Luxi Mono" (/ myStaffSize 20))) line-width = 18\cm ragged-last-bottom = ##f % page-count = 3 } #(set-global-staff-size 18) \header { title = \markup { "Sixième Suite" } subtitle = \markup { "de Pièces a deux flutes traversières sans basse (1711)" } instrument = \markup \center-column { \small "(pour 2 flûtes traversière / für 2 Flöten / for 2 flutes)" } composer = \markup \override #'(baseline-skip . 2) \right-column { "\n" "\n" "\n" "\n" "\n" "\n" "Michel de La Barre" \tiny "(1675? - 1745)" "\n" } arranger = \markup \right-column { \tiny "Published by Fr.-R. Kuhnen" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" } copyright = \markup { \teeny "Published under Creative Commons Attribution-ShareAlike 3.0 (http://creativecommons.org) - 2007 - http://noten.kuhnen-musik.de (Rev.: 02-20110131)" } } % ############################################################# % 1. Mouvement % ############################################################# \score { \new ChoirStaff \relative c'' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \new Staff { \time 4/4 \set beamExceptions = #'((end . (( (1 . 8) . (2 2 2 2) )) )) \key a \minor \repeat volta 2 { a'4 e8 f e d c\tr h | c a f' e d c h\tr a | gis h c a d h c a | e' h c a f' h, h8.\tr a16 | a4 e'8 fis g4 g8 a | %5 h4 a8\tr g fis g16 fis e8 fis | dis\tr fis g e a fis g e | h' fis g e c' fis, fis8.\tr e16 |} \alternative {{e8 h gis h e2} {e8 h gis h e,2}} %10 \repeat volta 2 { g'4 g8 f e f g e | f d f a d, f e\tr d | cis\tr e f d g e f d | a'e f d b' e, e8.\tr d16| d8 a f a d,2 | %15 f'4 f8 e d e f d | e g c, e a, f' h, d | g, g' g( f) f( e) d8.\tr c16 | c8 g e g c2 | e8 fis g e fis gis a fis | %20 gis\tr a a( g) g( f) f( e) | e( d) d c h \kl \stemUp d32[( c h c)] \nm \stemNeutral d8 e | gis,\tr h c a d h c a | e'h c a f' h, h8.\tr a16 | a8 h^\markup {\small \italic "doux"} c a d h c a | e' h c a f' h, h8.[\tr a16] |} \alternative {{ \time 8/4 \partial 8*4 a2 }{ \time 4/4 a2 r \bar "|." }} } \new Staff { \time 4/4 \set beamExceptions = #'((end . (( (1 . 8) . (2 2 2 2) )) )) \key a \minor \repeat volta 2 { a4 c8 d c h a\tr gis | a4 d8 c h a gis\tr a | e gis a4 gis8\tr gis a4 | e8 gis a f d4 e | a4 c8 a e'4 e8 fis | %5 g4 fis8\tr e dis e c a | h dis e4 dis8\tr dis e4 | h8 dis e c a4 h |} \alternative {{ e,2 r8 e'h e} { e,2 r8 h' e d}} %10 \repeat volta 2{ cis4\tr a8 d d4 \afterGrace cis4\tr( {\stemDown h16[ cis])} | d4 d8 c b a g b | a cis d4 cis8\tr cis d4 | a8 cis d b g4 a | d,2 r8 a'8 d c | %15 h4\tr g8 c c4 \afterGrace h4\tr( {\stemDown a16[ h])} | c8 b a g f d g f | e e' a, d h\tr c g4 | c2 c8 d e c | a4 r8 a d e f d | %20 e f d e cis d h cis | a h gis a e4 e | e8 gis a4 gis8\tr gis a4 | e8 gis a f d4 e | a8 gis^\markup {\small \italic "doux"} a4 gis8\tr gis a4 |%25 e8 gis a f d4 e } \alternative {{ \time 8/4 \partial 8*4 a8[ a] e'[ d] } { \time 4/4 a2 r }} } >> \layout { indent = 0\cm % \context { % \Staff % \override TimeSignature #'style = #'single-digit % } } \header { piece= \markup \column { \italic \override #'(font-size . 3) "Allemande"}} } % \pageTurn % ############################################################# % 2. Mouvement % ############################################################# \score { \new ChoirStaff \relative c'' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \new Staff { \time 2/2 \key a \minor \partial 2*1 a'4 gis8\tr a | e4 d8\tr e d f e d | \afterGrace c4\tr( {\stemDown h8)} h4 a' gis8 a| e d c d h4.\tr a8 | a2 \once \override Score.RehearsalMark #'self-alignment-X = #right \once \override Score.RehearsalMark #'padding = #1.5 \mark \markup {\small \italic \vcenter "Fine" } \bar "||" e'4 e8 f | g4 f8\tr e f g e f | d4\tr d g a8 b | a h c e, d4.\tr c8 | c2 \once \override Score.RehearsalMark #'self-alignment-X = #right \once \override Score.RehearsalMark #'padding = #1.5 \mark \markup {\small \italic \vcenter "Rondeau" }\bar "||" e4 a8 g | fis4\tr g8 fis e g fis e | dis4\tr h h' a8 c | h4 a8\tr g a c h a | \afterGrace g4\tr( {\stemDown fis8)} fis4 g a8 c | h a g a fis4.\tr e8 | e2 \once \override Score.RehearsalMark #'self-alignment-X = #right \once \override Score.RehearsalMark #'padding = #1.5 \mark \markup {\small \italic \vcenter "Rondeau" }\bar "|." } \new Staff { \time 2/2 \key a \minor \partial 2*1 c4 h8\tr a | gis4.\tr a8 h d c h | a4 e c' h8\tr a | gis4\tr a4 e2 a2 c4 c8 d | e4 d8\tr c d h c d | h4\tr h e d8\tr c | f d e f g4 g, c2 a4 a8 h | c4 h8\tr a g4 a\tr | h2 g'4 fis8 a | g4 fis8\tr e fis a g fis | e4 h g' fis8 a | g fis e fis dis4.\tr e8 e2 } >> \layout { indent = 0\cm \context { \Staff \override TimeSignature #'style = #'single-digit } } \header { piece= \markup \column { \italic \override #'(font-size . 3) "Gavotte en Rondeau"}} } \pageTurn % ############################################################# % 3. Mouvement % ############################################################# \score { \new ChoirStaff \relative c'' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \new Staff { \time 6/8 \key a \minor \repeat volta 2 { \partial 8*4 e8 f(e \tr) d | e( d \tr) c d( h) e | c( a) e' a( g \tr) fis | g( fis) g a( fis) h | g( e) h' c( h \tr) a | % 5 h( g) a h( a \tr) g | a( fis) g a( g \tr) fis | g a g fis4 \tr e8 | e8 fis gis a4. ~ | a8 g \tr fis g4. ~ | % 10 g8 a g fis4 \tr e8 | } \alternative { {\set Timing.measureLength = #(ly:make-moment 2 8) e4|} {\set Timing.measureLength = #(ly:make-moment 6 8) e4. g4 g8 }} \repeat volta 2 { g8( a) g g( f \tr) e | f( e \tr) d f4 f8 | f( g) f f( e \tr) d | % 15 e( d \tr) c e( f) g | d( g) f e( f) g | d( g) f e( f) g | c,( d) e d4 \tr c8 | c4 e8 f( e) f | % 20 d( e) f e( d) e | cis( h \tr) a f'( g) a | e( a) g f( g) a | e( a) g f( g) a | d,( e) f e4 \tr d8 | % 25 d4. d8( e) f | g4 g8 c,( d) e | f4 f8 h,( c) d | e4 e8 e( d \tr) c | h4. \tr c8( d) e | % 30 d( e) c h4 \tr a8 | a8( h) c d( e) f | e( fis) g fis( gis) a | gis( fis \tr) e a4 a8 | a4. gis8( \tr fis) gis | % 35 a( g \tr) f e( d \tr) c | d( e) c h4 \tr a8 | } \alternative { { a4. g'4 g8} { a,4. ~ a} } \bar "|." } \new Staff { \time 6/8 \key a \minor \repeat volta 2 { \partial 8*4 a8 d( c \tr) h | c( h \tr) a h gis e | a4 a8 c( h \tr) a | e'( dis) e fis dis h | e4 g8 a( g \tr) fis | % 5 g( e) fis g( fis \tr) e | fis( dis) e fis( e \tr) dis | e fis e dis4 \tr e8 | e4. r8 dis fis | h,( cis) dis e( fis) g | % 10 a,4 \kl h32( a g a) \nm h4 h8 } \alternative { { \set Timing.measureLength = #(ly:make-moment 2 8) e,4} { \set Timing.measureLength = #(ly:make-moment 6 8) e4. e'8( d) e} } \repeat volta 2 { cis4. \tr a8( h) cis | d4 d,8 d'( c) d | h4. \tr g8( a) h | % 15 c4. r4. | c8 h g r4. | c8 h g r8 c b | a8( h) c h4 \tr c8 | c4 r8 a4 r8 | % 20 b4 r8 g4 r8 | a4 r8 r4. | d8 cis a r4. | d8 cis a r8 d c | b( a \tr) g a4 a8 | % 25 d, a' d f4 f8 | f d h e4 e8 | e c a d4 d8 | d h gis c( h) a | e( fis) gis a( h) c | % 30 h( c) a fis4 \tr a8 | a4 r8 h4 r8 | c4 r8 d4 r8 | e4. f8( d) f| h,( c d) e( d) e | % 35 c( h \tr) a c( h \tr) a | h( c) a gis4 \tr a8 } \alternative {{a4. e'8[( d) e]}{ a,4. ~ a}} } >> \layout { indent = 0\cm \context { \Staff %\override TimeSignature #'style = #'single-digit } } \header { piece= \markup \column { \italic \override #'(font-size . 3) "Gigue"}} } % ############################################################# % 4. Mouvement % ############################################################# \score { \new ChoirStaff \relative c'' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \new Staff { \time 2/2 \key a \minor R1 | \repeat volta 2 { R1 | r4 e8 fis g a h c | fis,2 h | % 5 e, a ~ | a g ~ | g4 f8 e f4 e8 d | e2. d8 c d4 c8 h c4 h8 a | % 10 h2 h \tr | a4 c8 d e f g a | d,2 g | c,4 d8 e f e d c | h4 \tr d g2 ~ | % 15 g4 c, f2 ~| f8 h, c d e4 d8 c | d8 e d e f4 e8 d | g4 f8 e d4. \tr c8 | c4 r r2 | % 20 r4 g8 a h c d e | a,2 d | g,4 d'8 e f g a h | c4 g c2 ~ | c \afterGrace h \tr ( {\stemDown a16[ h])} | % 25 c4 c8 h a g fis e | dis2 \tr r | r4 e8 fis g a h c | fis,2 h | e,4 d c2 \tr | % 30 h h' ~ | h a ~ | a4 g8 fis g4 fis8 e | fis2 fis \tr | e4 g8 a g f e d | % 35 cis2 \tr r | r4 d8 e f g a b | e,2 a | d,4 c b2 \tr | a2 a' ~ | % 40 a g ~ | g4 f8 e f4 e8 d | e2 e \tr | d r | r4 e8 d e d c h | % 45 c2 r | R1 | r4 e8 fis g a h c | fis,2 h | e, a ~ | % 50 a2 g ~ | g4 f8 e f4 e8 d | e2 e4 fis | gis a gis4. \tr a8 | a4 a,8 h c d e f | % 55 h,2 e | a, d4 d | d c h4. \tr a8 |} \alternative {{ a2 r }{ a1}} \bar "|." } \new Staff { \time 2/2 \key a \minor r4 a8 h c d e f | \repeat volta 2 { h,2 e | a, e' ~ | e d ~ | % 5 d c | h e | cis \tr d ~ | d4 c8 h c4 h8 a | gis4 e a2 ~ | % 10 a gis \tr | a2 r | R1 | R1 | r4 g8 a h c d e | % 15 a,2 d | g,4 a8 h c2 ~ | c4 h8 c d4 c8 h | e4 d8 c h4. \tr c8 | c4 a8 h c d e fis | % 20 g4 d g2 ~ | g \afterGrace fis \tr ( {\stemDown e16[ fis])} | g2 r | r4 c,8 d e f g a | d,2 g | % 25 c,2 r | r4 h'8 a h a g fis | g2 e4 e | e2 \afterGrace dis \tr ( {\stemDown cis16[ dis])} | e8 fis g a a4.( \tr g16[ a]) | % 30 h4 h,8 cis dis e fis g | cis,2 fis | h, e | a, h | e, r | % 35 r4 a'8 g a g f e | f2 d4 d | d2 \afterGrace cis2 \tr ( {\stemDown h16[ cis])} | d8 e f g g4.( \tr f16[ g]) | a4 a,8 h cis d e f | % 40 h,2 e | a, d | g, a | d,4 f'8 e d c h a | gis2 \tr r | % 45 r4 a8 h c d e f | h,2 e | a, e' ~ | e d ~ | d c | % 50 h e | cis \tr d ~ | d4 c8 h c4 h8 a | e'4 a, e2 | a2 a ~ | % 55 a g ~ | g fis4 fis | gis a gis4. \tr a8 | } \alternative {{ a4 a8 h c d e f }{ a,1 }} } >> \layout { indent = 0\cm \context { \Staff \override TimeSignature #'style = #'single-digit } } \header { piece= \markup \column { \italic \override #'(font-size . 3) "Fugue" } } } %{ convert-ly (GNU LilyPond) 2.13.47 »« wird verarbeitet... Anwenden der Umwandlung: 2.11.2, 2.11.3, 2.11.5, 2.11.6, 2.11.10, 2.11.11, 2.11.13, 2.11.15, 2.11.23, 2.11.35, 2.11.38, 2.11.46, 2.11.48, 2.11.50, 2.11.51, 2.11.52, 2.11.53, 2.11.55, 2.11.57, 2.11.60, 2.11.61, 2.11.62, 2.11.64, 2.12.0, 2.12.3, 2.13.0, 2.13.1, 2.13.4, override-auto-beam-setting. Automatische Bebalkungseinstellungen werden jetzt mit \overrideBeamSettings verändert. kann nicht umgewandelt werdenFür Details Benutzerhandbuch lesen und manuell aktualisieren.2.13.10, 2.13.16, 2.13.18, 2.13.20, 2.13.29, 2.13.31, 2.13.36, 2.13.39, 2.13.40, 2.13.42, 2.13.44, 2.13.46 %}