\version "2.13.46" \include "deutsch.ly" #(set-default-paper-size "a4") #(ly:set-option 'point-and-click #f) % ########################## Makros ################### % kleine Noten kl = \tiny % normal große Noten nm = \normalsize % Trillersymbol = Pluszeichen tr = ^\markup { \bold {+}} % bei Verzierungen: Hälse kürzen, Hals nach unten, kleine Noten sk = { \once \override Stem #'length-fraction = #0.6 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } ska = { \once \override Stem #'length-fraction = #0.6 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } skn = { \once \override Stem #'length-fraction = #1 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } sn = \override Stem #'length-fraction = #1 %normale Länge % Hälse verlängern lh = { \once \override Stem #'length-fraction = #0.5 } nh = { \once \override Stem #'length-fraction = #1 } % ########################## Ende Makros ################### \paper { myStaffSize = #20 #(define fonts (make-pango-font-tree "Times New Roman" "Arial" "Luxi Mono" (/ myStaffSize 20))) line-width = 18\cm ragged-last-bottom = ##f % page-count = 3 } #(set-global-staff-size 18) \header { title = \markup { "Septième Suite" } subtitle = \markup { "de Pièces a deux flutes traversières sans basse (1713)" } instrument = \markup \center-column { \small "(pour 2 flûtes traversière / für 2 Flöten / for 2 flutes)" } composer = \markup \override #'(baseline-skip . 2) \right-column { "\n" "\n" "\n" "\n" "\n" "\n" "Michel de La Barre" \tiny "(1675? - 1745)" "\n" } arranger = \markup \right-column { \tiny "Published by Fr.-R. Kuhnen" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" "\n" } copyright = \markup { \teeny "Published under Creative Commons Attribution-ShareAlike 3.0 (http://creativecommons.org) - 2007 - http://noten.kuhnen-musik.de (Rev.: 02-20110131)" } } % ############################################################# % 1. Mouvement % ############################################################# \score { \new ChoirStaff \relative c'' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \new Staff { \time 4/4 \key a \major R1 | r4 a'2 g4 ~ | g fis g a ~ | a gis fis fis \tr | % 5 e2 r4 a8 gis | fis2 r4 gis8 fis | eis4 \tr fis2 eis4 \tr | fis4 fis8 cis d2 | r4 e8 h cis4 h8 \tr a | % 10 e'4 fis \afterGrace gis4 \tr ( {\stemDown fis16[ gis])} a4 | d,4 r16 e d \tr cis fis8. h,16 h8. \tr a16 | a2 fis' | gis4 a a( gis8. \tr) a16 | a1 \bar "|." \pageBreak } \new Staff { \time 4/4 \key a \major r4 e2 d4 ~ | d4 cis h e | a, d2 cis4 | dis e2 dis4 \tr | % 5 e4 e8 d cis4 r | r d8 cis h2 ~ | h4 a h cis | fis, r r h8 fis | gis2 \tr a4 gis8 \tr fis | % 10 e8 e'~ e d ~ d cis16 \tr h cis4 ~| cis8 h16 \tr a gis8. \tr a16 d,4 e | a e'2 d4 ~ | d cis cis( h8. \tr) a16 | a1 \bar "|." } >> \layout { indent = 0\cm % \context { % \Staff % \override TimeSignature #'style = #'single-digit % } } \header { piece= \markup \column { \italic\override #'(font-size . 3) "Prelude" } } } % ############################################################# % 2. Mouvement % ############################################################# \score { \new ChoirStaff \relative c'' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \new Staff { \time 4/4 \set beamExceptions = #'((end . (( (1 . 8) . (2 2 2 2) )) )) \key a \major \partial 8*1 r16 a' | \repeat volta 2 { a8. gis16 fis e d fis e8 d16 \tr cis h8 e | cis \tr a cis d e d16 cis h8 \tr a | gis \tr e e' fis16 g fis8 \tr d fis gis16 a | gis8 \tr h4 a gis16 \tr fis gis8 fis16 \tr e | % 5 dis8 \tr h16 cis dis e fis8 h,8. h16 e8. e16 | a4 ~ a16 a gis \tr fis gis h a gis fis8. \tr e16 | e gis fis \tr e fis a gis \tr fis gis h a gis fis8.[ \tr e16] | } \alternative {{ e8[ e,] gis[ h] e,4. r16 a' }{ e2 ~ e4. r16 h' }} \repeat volta 2 { h8. cis16 h a gis h a8 gis16 a fis8 \tr gis | % 10 eis8 \tr fis16 cis d8 cis16 \tr h cis8 h16 \tr a gis a h gis | a8 \tr fis cis' dis16 eis fis8 gis16 a gis8. \tr fis16 | fis8. fis16 e d cis e d8 e16 fis e d cis h | ais8 fis fis' g16 fis e g fis e d8 \tr cis16 d | cis4 \tr fis8 g16 a g fis e d cis d e cis | % 15 d8 \tr h e16 fis g e fis8 e16 \tr d cis8. \tr h16 | h4 h16 cis h cis d e d e fis gis fis gis | a4 a,16 h a h cis d cis d e fis gis a | gis8 \tr e16 fis g4 ~ g16 g fis \tr e fis8 gis16 a | d,4 ~ d16 d cis \tr h cis e d cis h8. \tr a16 | % 20 a16 e' fis gis a4. fis8 h16 fis gis a | gis8 \tr e16 fis g4~ g16 g fis \tr e fis8 gis16 a | d,4 ~ d16 d cis \tr h cis e d cis h8. \tr a16 | } \alternative {{ a2 r8 e'16 fis gis a gis a | }{ a,1 \bar"|." }} \pageBreak } \new Staff { \time 4/4 \set beamExceptions = #'((end . (( (1 . 8) . (2 2 2 2) )) )) \key a \major \partial 8*1 r16 a | \repeat volta 2 { a8. a16 d cis h d cis8 h16 a gis8 \tr e | a4 a8 h cis h16 a gis8 \tr a | e8 e'16 d cis8 \tr a d fis16 e dis8 \tr h | e gis a fis h4 e, | % 5 h8 fis' h a16 h gis8 \tr e16 fis gis a h8 | dis,8 \tr h cis dis e a, h4 | cis16 e dis \tr cis dis fis e \tr dis e gis fis e dis8.[ \tr e16] } \alternative {{ e2 r16 e d cis h8 e }{ e8 e, gis h e,4. r16 e' }} \repeat volta 2 { e4 eis fis8 e d16 cis h d | % 10 cis8 a16 fis h8 a16 \tr gis a8 gis16 \tr fis fis8 eis | fis cis'16 h a8 h16 cis d8 h \tr cis8. cis16 | fis,8. fis16 gis8 ais h cis16 d cis d e8 ~ | e d16 \tr cis d8 e16 d cis e d cis h8 \tr ais16 h | ais4 \tr d8 h e16 d cis h ais h cis ais | % 15 h8 d cis16 d e cis d8 cis16 \tr h ais8. \tr h16 | h2 h16 cis h cis d e d e | fis gis fis gis a4 a,16 h a h cis cis h \tr a | e8 e'16 d cis8 \tr d16 e a,4 r8 d16 cis | h8 cis16 d gis, e fis gis a cis h a gis8. \tr a16 | % 20 a4 r16 a h cis d8. cis16 h a gis fis | e8 e'16 d cis8 \tr d16 e a,4 r8 d16 cis | h8 cis16 d gis, e fis gis a cis h a gis8. \tr a16 | } \alternative {{ a8 a16 h cis d cis d e2 }{ a,1 }} } >> \layout { indent = 0\cm % \context { % \Staff % \override TimeSignature #'style = #'single-digit % } } \header { piece= \markup \column { \italic\override #'(font-size . 3) "Allemande" } } } % ############################################################# % 3. Mouvement % ############################################################# \score { \new ChoirStaff \relative c'' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \new Staff { \time 3/4 \key a \major R2. | R2. | r4e gis | fis h4. a8 | % 5 gis4 \tr e a ~ | a \afterGrace gis2 \tr ( {\stemDown fis16[ gis])} | a8 gis fis e d cis | \afterGrace h4 \tr ( {\stemDown a16[ h])} cis8 d e4 ~ | e8 fis e cis d4 ~ | % 10 d8 e d h cis4 ~ | cis8 d h4. \tr a8 | a4 r r | R2. | r4 cis e | % 15 dis gis4. fis8 | eis4 \tr cis fis ~ | fis eis2 \tr | fis8 e d cis d cis | h a gis4. \tr fis8 | % 20 fis4 fis' a | gis cis4. h8 | ais4 \tr fis h ~ | h ais2 \tr | h2 fis4 | % 25 g8 a g fis e g | fis g fis e d fis | e d cis4. \tr h8 | h cis d e fis g | fis \tr e d e fis gis | % 30 a2 a4 | a4 gis8 a h4 | e,2 cis8 cis | fis gis a gis fis e | dis e fis e dis \tr cis | % 35 h cis h a gis \tr fis | e2. | r4 e' gis | fis h4. a8 | gis a gis fis gis e | % 40 fis4 dis8 fis h4 ~ | h8 e, a2 ~ | a8 gis a fis gis h | a gis fis4. \tr e8 | e2. | % 45 R2. | r4 e8 fis e d | cis d cis h a h | gis2. \tr | r4 a cis | % 50 h4 e4. d8 | cis4 \tr a8 cis h gis | a h gis4. \tr a8 | a8 gis a h cis d | e d cis d e fis | % 55 gis fis gis a h gis | a4 a a | a gis2 \tr | a4. e8 d e | cis d h4. \tr a8 | % 60 a2. \bar "|." \pageBreak } \new Staff { \time 3/4 \key a \major r4 a cis | h e4. h8 | cis4 \tr a e' ~ | e \afterGrace dis2 \tr ( {\stemDown cis16[ dis])} | % 5 e2 cis4 | d \afterGrace e2 \tr ( {\stemDown d16[ e])} | fis8 e d cis h a | gis4 \tr a8 h cis4 | fis,4 gis8 a h4 | % 10 e,4 fis8 gis a4 | d, e2 | a4 fis a | gis cis4. h8 | a4 \tr fis cis' ~ | % 15 cis h2 ~ | h4 cis8 h a4 | h cis2 | d8 cis h a h a | gis fis eis4. \tr fis8 | % 20 fis2. | R2. | r4 h d | cis fis4. e8 | d4 \tr h dis | % 25 e8 fis e d cis e | d e d cis h d | cis h ais4. \tr h8 | h2 r4 | R2. | % 30 r4 a cis | h e4. d8 | cis4 \tr a e' ~ | e dis8 e dis e | fis gis a gis fis e | % 35 dis e dis cis h a | gis a h a gis \tr fis | e2. | R2. | R2. | % 40 r4 h' dis | cis fis4. e8 | dis4 \tr h e | a, h2 | e,4 e'8 fis e d | % 45 cis d cis h a h | gis2. \tr | r4 a cis | h e4. d8 | cis h cis d e cis | % 50 fis4 gis e | a4. e8 d e | cis d h4. \tr a8 | a e fis gis a h | cis h a h cis d | % 55 e2. | r4 a, cis | h e4. d8 | cis4 \tr a8 cis h gis | a h gis4. \tr a8 | a2. \bar "|." } >> \layout { indent = 0\cm \context { \Staff \override TimeSignature #'style = #'single-digit } } \header { piece= \markup \column { \italic\override #'(font-size . 3) "Fugue" } } } % ############################################################# % 4. Mouvement % ############################################################# \score { \new ChoirStaff \relative c'' << \override Score.BarNumber #'font-shape = #'italic \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \override Score.RehearsalMark #'self-alignment-X = #right \new Staff { \time 2/2 \key a \major \partial 2*1 cis4 \afterGrace h \tr ( {\stemDown a16[ h])}| cis4 h cis8 d h d | cis4 \tr h e8 d e fis | d \tr cis d e cis \tr h cis d | h2 \tr cis4 \afterGrace h \tr ( {\stemDown a16[ h])}| % 5 cis4 h cis8 d h d | \break cis4 \tr h e8 fis e d | cis \tr h cis d h4. \tr a8 | a2 \once \override Score.RehearsalMark #'self-alignment-X = #right \once \override Score.RehearsalMark #'padding = #1.5 \mark \markup {\small \italic \vcenter "Fine." } \bar "||" cis4 \afterGrace d \tr ( {\stemDown cis16[ d])} | e4 cis cis8 d cis d | e4 cis e8 cis d e | % 10 fis e fis gis fis \kl gis32( fis e fis) \nm gis8 a | gis4 \tr e gis \afterGrace fis \tr ( {\stemDown e16[ fis])}| gis4 fis gis8 a fis a | gis4 \tr fis h8 cis h a | gis8 \tr fis gis a fis4. \tr e8 | \break % 15 e2 cis4 \afterGrace h \tr ( {\stemDown a16[ h])}| cis4 h cis8 d h d | cis4 \tr h e8 d e fis | d \tr cis d e cis \tr h cis d | h2 \tr cis4 \afterGrace h \tr ( {\stemDown a16[ h])}| % 20 cis4 h cis8 d h d | \break cis4 \tr h e8 fis e d | cis \tr h cis d h4. \tr a8 | a2 e'4 \afterGrace e \tr ( {\stemDown d16[ e])}| fis4 e fis8 g e g | % 25 fis4 \tr e a8 h a g | fis \tr e fis g e4. \tr d8| d2 fis4 \afterGrace gis \tr ( {\stemDown fis16[ gis])}| a4 gis a8 h gis h | a4 \tr gis a8 gis fis e | % 30 fis8 e d cis d cis h a | gis2 \tr \bar "|." \once \override Score.RehearsalMark #'self-alignment-X = #right \once \override Score.RehearsalMark #'padding = #1.5 \mark \markup {\small \italic \vcenter "D.C. al Fine" } } \new Staff { \time 2/2 \key a \major \partial 2*1 a4 gis \tr | a4 e a8 h gis h | a4 e cis'8 h cis d | h \tr a h cis a \tr gis a h | gis2 a4 gis \tr | % 5 a4 e a8 h gis h | a4 e cis'8 d cis h | a gis a h gis4. \tr a8 | a2 a4 \afterGrace h \tr ( {\stemDown a16[ h])}| cis4 a a8 h a h | cis4 a cis8 a h cis | % 10 d cis d e d cis h \tr a | e'4 e, e' \afterGrace dis \tr ( {\stemDown cis16[ dis])}| e4 h e8 fis dis fis | e4 h gis'8 a gis fis | e dis e fis dis4. \tr e8 | % 15 e2 a,4 gis \tr | a4 e a8 h gis h | a4 e cis'8 h cis d | h \tr a h cis a \tr gis a h | gis2 a4 gis \tr | % 20 a4 e a8 h gis h | a4 e cis'8 d cis h | a gis a h gis4. \tr a8 | a2 cis4 \afterGrace cis \tr ( {\stemDown h16[ cis])}| d4 a d8 e cis e | % 25 d4 a fis'8 g fis e | d cis d e cis4. d8 | d2 d4 d | cis4 \tr h cis8 d h d | cis4 \tr h cis8 h cis a | % 30 d cis h a gis a gis fis | e2 } >> \layout { indent = 0\cm \context { \Staff \override TimeSignature #'style = #'single-digit } } \header { piece= \markup \column { \italic \override #'(font-size . 3) "Gavotte en Rondeau" } } }