\version "2.13.46"
\include "deutsch.ly"

#(set-default-paper-size "a4")
#(ly:set-option 'point-and-click #f)

% ########################## 	Makros	 ###################
% kleine Noten
kl =  \tiny
  
% normal große Noten
nm =   \normalsize

% Trillersymbol = Pluszeichen
tr = ^\markup { \bold {+}}

% bei Verzierungen: Hälse kürzen, Hals nach unten, kleine Noten
sk =  { \once \override Stem #'length-fraction = #0.6 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3   }
ska = { \once \override Stem #'length-fraction = #0.6 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3   }
skn = { \once \override Stem #'length-fraction = #1 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3   }
sn =     \override Stem #'length-fraction = #1  %normale Länge

% Hälse verlängern
lh = { \once \override Stem #'length-fraction = #0.5  }
nh = { \once \override Stem #'length-fraction = #1  } 
% ########################## 	Ende Makros	 ###################


\paper {
  myStaffSize = #20
  
  #(define fonts
    (make-pango-font-tree 
      "Times New Roman"
      "Arial"
      "Luxi Mono"
      (/ myStaffSize 20)))
  line-width = 18\cm
  ragged-last-bottom = ##f
%   page-count = 3
}

#(set-global-staff-size 18)

\header  { 
  title =  \markup  { "Neuvième Suite"
  }
  subtitle =  \markup   { 
   "de Pièces a deux flutes traversières sans basse (1714)"  
  }
    instrument = \markup \center-column {  
%      \small "(pour 2 flûtes à bec alto / für 2 Altblockflöten /  for 2 treble recorders)"  
    \small "(pour 2 flûtes traversières / für 2 Flöten /  for 2 flutes)"
  }
  composer = \markup \override #'(baseline-skip . 2) \right-column {
    "\n" "\n" "\n" "\n" "\n" "\n" 
    "Michel de La Barre" 
    \tiny "(1675? - 1745)"
    "\n"
  }
  arranger =   \markup  \right-column {  
    \tiny "Published by Fr.-R. Kuhnen"
    "\n" "\n" 
  }
  copyright = 
  \markup  {
    \teeny "Published under Creative Commons Attribution-ShareAlike 3.0 (http://creativecommons.org) 
    -
    2011 - http://noten.kuhnen-musik.de (Rev.: 03-20110225)"  }
}



%  #############################################################
%               1. Mouvement
%  #############################################################

\score { 
%   \transpose e g
  
  \new ChoirStaff << 
    \override Score.BarNumber #'font-shape =  #'italic
    \override Score.BarNumber #'padding = #2.3
    \override Score.RehearsalMark
    #'break-visibility = #begin-of-line-invisible
    
    \new Staff 
    \relative c''{
      \time 4/4
      \key g \minor
      
      \repeat volta 2 {
	g'8 f16\tr es d8 f es d16 es c es d c |
	h8\tr d16 es f4. es16\tr d d8.\tr c16 |
	c8 g'16 as b4. as16 g as8 g16\tr f |
	g b as g f g es f d8\tr g16 as f8.\tr es16 |
% 	5
	es8 c16 b a8 c b a16 b g b a g |
	fis8 a16 b c4 ~ c16 d b c d4 ~ |
	d16 es c d es d c b a c b\tr a a8.\tr g16 |
      }
      \alternative {
	{ g2 ~ g8 g h d |}
	{ g,16 g' a h c4 r8 f,8 b4 |}
      }
      \repeat volta 2 {
% 	10
	r16 es, f g as4 r16 f g as g as f g |
	e8\tr g16 as b4. as16\tr g g8.\tr f16 |
	f16 f es d c d b c a8\tr c16 d es4~ |
	es8 d16\tr c d es f d g8. c,16 c8.\tr b16 |
	b b' as g f g es f d8[\tr d] d \afterGrace es\tr^( {\ska d16[ \ska es])} |
% 	15
	f8 g as g16\tr f g8. as16 f8.\tr es16 |
	es g f es d es c d h8[\tr h] h \afterGrace c\tr^( {\ska h16[ \ska c])} | 
	d16 es d c h c h a g8[ g'] g f16 es |
	f8 f f[ es16\tr d] es f es d d8.\tr c16 |
	c g' f es d es c d h8[\tr h] h \afterGrace c\tr^( {\ska h16[ \ska c])} |
% 	20
	d16 es d c h c h a g8[ g'] g f16 es |
	f8 f f[ es16\tr d] es f es\tr d d8.\tr c16 |
      }
      \alternative {
	{c g' a h c4 r8 f, b4 |}
	{c,8 g'4 f16\tr es f4. es16\tr d }
      }
      es4~ es16 g f es d( es32 f) es16\tr d d8.\tr c16 |
      c1 | \bar "|."
    }
    
    
    \new Staff
    \relative c'' {
      
      \time 4/4
      \set beamExceptions =
      #'((end . (( (1 . 8) . (2 2 2 2) )) ))
      \key g \minor
      
      \repeat volta 2 {
	R1 |
	g'8 f16\tr es d c h a g8 c h8.\tr c16 |
	c8 es d g e\tr f16 e f8 es16 d |
	es g f es d8\tr c b es16 as, b4 |
	es, r r2 |
	d'8 c16\tr b a g fis\tr es d8 d'16 c b a g f |
	es8 es'16 d c b a g fis8 g fis8. g16 |
      }
      \alternative {
	{ g8[ g h d] g2 |}
	{ g,4 r16 c d es f4 r8 b, |}
      }
      \repeat volta 2 {
	es4 r16 as, b c des8. c16 b8 des |
	c16 c' b as g f e d c8 f e8.\tr f16 |
	f2 r16 f es d c d b c |
	a8\tr f b d, es4 f |
	b2 r16 b' as g f g es f |
	d8\tr es f es16\tr d es8. f16 d8.\tr es16 |
	es2 r16 g f es d es c d |
	h c h a g as g f es4 es'~ |
	es8 d16\tr c d4 ~ d8 c h8.\tr c16 |
	c2 r16 g' f es d es c d |
	h c h a g as g f es4 es'~ |
	es8 d16\tr c d4~ d8 c h8.\tr c16 |
      }
      \alternative {
	{ c4  r16 c d es f4 r8 b, | }
	{ c4 es~ es8 d16\tr c d4~ | }
      }      
      d8 c16\tr h c es d c h8 c h8.\tr c16 |
      c1 |\bar "|."
    }
  
  >>
  \layout {
    indent = 0\cm
    % \context {
    %    \Staff
    %   \override TimeSignature #'style = #'single-digit
    % }
  }
  
  \header {
    piece=   \markup \column { 
      \italic \override #'(font-size . 3) "Allemande" 
    }
  }  
}


%  #############################################################
%               2. Mouvement
%  #############################################################

\score { 
%   \transpose e g
  
  \new ChoirStaff << 
    \override Score.BarNumber #'font-shape =  #'italic
    \override Score.BarNumber #'padding = #2.3
    \override Score.RehearsalMark
    #'break-visibility = #begin-of-line-invisible
    
    \new Staff 
    \relative c''{
      \time 2/2
      \key g \minor
      
      \partial 4*2 es4 \afterGrace f\tr^( { \ska es16[ \ska f)] } |
      g4 as8 g f as g f |
      es( d) c( h) c4 \afterGrace d\tr^( { \ska c16[ \ska d)] } |
      es4 d8 es c es d c |
      h4\tr g es'4 \afterGrace f\tr^( { \ska es16[ \ska f)] } | 
%       5
      g4 as8 g f as g f |
      es( d) c( h) c4 \afterGrace d\tr^( { \ska c16[ \ska d)] } |
      es8 g f es d4.\tr c8 |
      c2\fermata^\markup {\italic \tiny "fin"} g'4 \afterGrace as\tr^( { \ska g16[ \ska as)] } | 
      b4 c8 b as c b as |
%       10
      g4\tr es b'8 as g b |
      c b as c b as g as |
      f4\tr d b'8 as g b |
      as f g as f4.\tr es8 |
      es2 es4 \afterGrace f\tr^( { \ska es16[ \ska f)] } |
%       15
      g4 as8 g f as g f |
      es( d) c( h) c4 \afterGrace d\tr^( { \ska c16[ \ska d)] } |
      es4 d8 es c es d c |
      h4\tr g es'4 \afterGrace f\tr^( { \ska es16[ \ska f)] } | 
      g4 as8 g f as g f |
%       20
      es( d) c( h) c4 \afterGrace d\tr^( { \ska c16[ \ska d)] } |
      es8 g f es d4.\tr c8 |
      c2 es4 d |
      c\tr d8 es d c b c |
      a4\tr fis d' g8 f |
%       25
      es d c b c a d c |
      b4\tr g d'8 e f g |
      e4\tr fis8 g fis4.\tr g8 |
      g2^\markup {\italic \tiny "(da Capo)"} \bar "|."          
    }
    
    
    \new Staff
    \relative c'' {
      
      \time 2/2
      \key g \minor
      
      \partial 4*2 c4 \afterGrace d\tr^( { \ska c16[ \ska d)] } |
      es4 f8 es d f es d |
      c b as( g) as4 f |
      c' b as f |
      g2  c4 \afterGrace d\tr^( { \ska c16[ \ska d)] } |
%       5
      es4 f8 es d f es d |
      c b as( g) as4 f |
      c'8 es d c h4.\tr c8 |
      c2 es4 \afterGrace f\tr^( { \ska es16[ \ska f)] } |
      g4 as8 g f as g f |
%       10
      es4 es, g'8 f es g |
      as g f as g f es f |
      d4\tr b g'8 f es g |
      f d es f d4.\tr es8 |
      es2 c4 \afterGrace d\tr^( { \ska c16[ \ska d)] } |
%       15
      es4 f8 es d f es d |
      c b as( g) as4 f |
      c' b as f |
      g2  c4 \afterGrace d\tr^( { \ska c16[ \ska d)] } |
      es4 f8 es d f es d |
%       20
      c b as( g) as4 f |
      c'8 es d c h4.\tr c8 |
      c2 c4 b |
      a\tr b8 c b a g a |
      fis4\tr d b' g |
%       25
      c8 b a g fis4.\tr fis8 |
      g fis g a b4 g |
      c8 b a\tr g d'4 d, |
      g2 
     \bar "|."
    }
  
  >>
  \layout {
    indent = 0\cm
    \context {
      \Staff
      \override TimeSignature #'style = #'single-digit
    }
  }
  
  \header {
    piece=   \markup \column { 
      \italic \override #'(font-size . 3) "Gavotte" 
    }
  }  
}

\pageTurn

%  #############################################################
%               3. Mouvement
%  #############################################################

\score { 
%   \transpose e g
  
  \new ChoirStaff << 
    \override Score.BarNumber #'font-shape =  #'italic
    \override Score.BarNumber #'padding = #2.3
    \override Score.RehearsalMark
    #'break-visibility = #begin-of-line-invisible
    
    \new Staff 
    \relative c''{
      \time 3/4
      \key g \minor
      \set beamExceptions =
      #'((end . (( (1 . 8) . (6) )) ))
      
      \repeat volta 2 {
	\partial 8*1 g'8 |
	g4. f8[ es d] |
	c es d4.\tr c8 |
	h g' f g es f |
	d f es f d f |
% 	5
	es d es g f as |
	g f g b a c |
	h g a h c4.
	es,8 d4.\tr c8 |
	c4. es8[ d c] |
% 	10
	b4. b8 es4 |
	d8 b d f d b |
	f'8 f c4. d8 |
	es d es f g as |
	b b as b f as |
% 	15
	g8.\tr f16 f4.\tr es8 |
	es4. g8[ f es] |
	d4.\tr f8[ es d] |
	c d c b a g |
	fis4\tr d8 d' es d |
% 	20
	c b a4.\tr g8 |
	g2 
      }
      
      \repeat volta 2 {
	r8 d'8 |
	d4. d8[ g f] |
	e c e g e c |
	f2 f8 f |
% 	25
	f g \grace { \stemDown \parenthesize as8^( }g4.)\tr f8 |
	f4. f8[ es d] |
	c d es d c b |
	a\tr c f4. es8 |
	d es c4.\tr b8 |
% 	30
	b a b d c es |
	d c d f e g |
	fis d e fis g4.
	b,8 a4.\tr g8 |
	g g' f g d f |
% 	35
	es4 e2\tr |
	f8 f es f c es |
	d4 d2\tr |
	es8 d c es d c |
	h g h d h g |
% 	40
	c h c d es f |
	g2. ~ |
	g8 f es d c h |
	c d d4.\tr c8 |
	c g'^\markup {\tiny \italic "doux"} f g d f |
% 	45
	es4 e2\tr |
	f8 f es f c es |
	d4 d2\tr |
	es8 d c es d c |
	h g h d h g |
% 	50
	c h c d es f |
	g2.~ |
	g8 f es d c h |
	c d d4.\tr c8 |
	c2. |
      }
    }
    
    
    \new Staff
    \relative c'' {
      
      \time 3/4
      \key g \minor
      \set beamExceptions =
      #'((end . (( (1 . 8) . (6) )) ))
      
      \repeat volta 2 {
	\partial 8*1 c8 |
	c2 g4 |
	as f2 |
	g8 es' d es c d|
	h d c d h d |
% 	5
	c h c es d f |
	es d es g f as |
	g f es d es4 |
	d8 c h4.\tr c8 |
	c4. c8[ b as] |
% 	10
	g es g b g es |
	b'2. |
	r8 f[ as c as f] |
	c' b c d es f |
	g g f g d b |
% 	15
	es f d4.\tr es8 |
	es4. es8[ d c] |
	b4. d8[ c b] |
	a b a g fis g |
	d4. b'8[ c b] |
% 	20
	a g fis4.\tr g8 |
	g2
      }
      
      \repeat volta 2 {
	r4 |
	r8 g[ h d h g] |
	c2 b4 |
	as8 f as c as f |
% 	25
	des' b c2 |
	f4 es8\tr d c b |
	a b c b a g |
	f f a c a f |
	b es, f2 |
% 	30
	b2. |
	b8 a b d c es |
	d c b a g4 |
	g' fis4.\tr g8 |
	g2. |
% 	35
	r8 c,[ b c g b] |
	as4 a2\tr |
	b4 h2\tr |
	c4 as f |
	g2.~ |
% 	40
	g2.~ |
	g8 g h d h g |
	c4. b8[ as g] |
	as f g2 |
	c2 r4 |
% 	45
	r8 c[^\markup {\tiny \italic "doux"} b c g b] |
	as4 a2\tr |
	b4 h2\tr |
	c4 as f |
	g2.~ |
% 	50
	g2. |
	r8 g[ h d h g] |
	c4. b8[ as g] |
	as f g2 |
	c2. |
      }
    }
  
  >>
  \layout {
    indent = 0\cm
    \context {
      \Staff
      \override TimeSignature #'style = #'single-digit
    }
  }
  
  \header {
    piece=   \markup \column { 
      \italic \override #'(font-size . 3) "Courante" 
    }
  }  
}

\pageTurn

%  #############################################################
%               4. Mouvement
%  #############################################################

\score { 
%   \transpose e g
  
  \new ChoirStaff << 
    \override Score.BarNumber #'font-shape =  #'italic
    \override Score.BarNumber #'padding = #2.3
    \override Score.RehearsalMark
    #'break-visibility = #begin-of-line-invisible
    
    \new Staff 
    \relative c'''{
      \time 3/4
      \key g \minor
      
      \repeat volta 2 {
	g4 as g |
	f2\tr es4 |
	f2 g4 |
	es2\tr d4 |
% 	5
	es d c |
	h2. |
	g'4 f es |
	d h c |
	d d4.\tr c8 |
	c2. |
      }
      g'4 g as  |
      b2 c4 |
      as2\tr g4 |
      f2\tr f4 |
      b as\tr g |
      c b as |
      g f es |
      d2\tr \grace {\ska c8^( } b4) |
      b'2. |
      as |
      g4 f4.\tr es8 |
      es2. | \bar "||"
      
      g4 as g |
      f2\tr es4 |
      f2 g4 |
      es2\tr d4 |
      es d c |
      h2. |
      g'4 f es |
      d h c |
      d d4.\tr c8 |
      c2. | \bar "||"
      
      es4 es f |
      d2\tr es4 |
      c2\tr b4 |
      a2\tr f4 |
      f'2. |
      es |
      d4 c4. b8 |
      b2. |
      d4 d es |
      c2\tr b4 |
      a2\tr g4 |
      fis2 d4 |
      d'2. |
      c |
      b4 a4.\tr g8|
      g2.^\markup {\italic \tiny "Rondeau"}  |
      \bar "|."          
    }
    
    
    \new Staff
    \relative c'' {
      
      \time 3/4
      \key g \minor
      
      \repeat volta 2 {
	es4 f es |
	d2 c4 |
	d h g |
	c2 g4 |
	c b as |
	g2. |
	es'4 d c |
	f, g as |
	f g2 |
	c2. | 
      }
      es4 es f |
      g2 as4 |
      f2\tr es4 |
      d2\tr  d4 |
      g4 f\tr es |
      as g f |
      es d c |
      b b' as |
      g f es |
      d c b |
      es d4.\tr es8 |
      es2. | \bar "||"
      
      es4 f es |
      d2 c4 |
      d h g |
      c2 g4 |
      c b as |
      g2. |
      es'4 d c |
      f, g as |
      f g2 |
      c2. | \bar "||" 
      
      c4 a f |
      b2 c4 |
      a2\tr b4 |
      f f' es |
      d c b |
      a g f |
      b a4. b8 |
      b2. |
      b4 b c |
      a2\tr g4 |
      fis2 g4 |
      d d' c |
      b a g |
      fis e d |
      g fis4. g8 |
      g2. |      
      \bar "|."
    }
  
  >>
  \layout {
    indent = 0\cm
    \context {
      \Staff
      \override TimeSignature #'style = #'single-digit
    }
  }
  
  \header {
    piece=   \markup \column { 
      \italic \override #'(font-size . 3) "Rondeau" \tiny \italic "Légerement" 
    }
  }  
}

\pageTurn