\version "2.13.10" #(set-default-paper-size "a4") #(ly:set-option 'point-and-click #f) %%%%%%%%%%%%%%% Makros %%%%%%%%%%%%%%%%%% tr = ^\markup { \bold {+}} pad = { \once \override Script #'padding = #1.0 } % kleine Noten kl = \set fontSize = #-4 % normal große Noten nm = \set fontSize = #0 % bei Verzierungen: Hälse kürzen, Hals nach unten, kleine Noten sk = { \once \override Stem #'length-fraction = #0.6 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } ska = { \once \override Stem #'length-fraction = #0.7 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } skn = { \once \override Stem #'length-fraction = #1 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } sn = \override Stem #'length-fraction = #1 %normale Längesk = { \once \override Stem #'length-fraction = #0.6 \once \override Stem #'direction = #DOWN \once \set fontSize = #-3 } sl = { \once \override Stem #'length-fraction = #1.2 } % Unterbalken geändert: statt 3 * 2 16-tel nun 2 * 3 16-tel \paper { myStaffSize = #20 #(define fonts (make-pango-font-tree "Times New Roman" "Arial" "Luxi Mono" (/ myStaffSize 20))) line-width = 18\cm ragged-last-bottom = ##f } %#(set-global-staff-size 16) \header { title = \markup { "XXI." \raise #1.0 \bold \small{ "e" } " Suite" } subtitle = \markup { "de Pièces a deux flutes traversières" } subsubtitle = \markup { "aus / du /from: Douzième Livre (1725)" } instrument = \markup \center-column { \small "(pour 2 flûtes traversières / für 2 Flöten / for 2 flutes)" } composer = \markup \override #'(baseline-skip . 2) \right-column { "\n" "\n" "Michel de La Barre" \tiny "(1675? - 1745)" "\n" } arranger = \markup { \tiny "Published by Fr.-R. Kuhnen" } copyright = \markup { \teeny "Published under Creative Commons Attribution-ShareAlike 3.0 (http://creativecommons.org) - http://noten.kuhnen-musik.de (2007 - Rev.: 09-20110116)" } } %#(set-global-staff-size 16) tr = \tr \score { \new ChoirStaff \relative c' << %\override Score.BarNumber #'break-visibility = #end-of-line-invisible % \set Score.barNumberVisibility = #(every-nth-bar-number-visible 5) \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \new Staff { \time 3/4 \key d \major \repeat volta 2 { \partial 4*1 r4 | r4 r a'' | d d8 cis d4 | g,2 fis4 | e\tr a8 g a4 | fis\tr d fis | % mesure 5 b b8 a b4 | gis2\tr b4 | e, a8 gis a4 | d,2 cis4 | b\tr e8 d e4 } % mesure 10 \alternative { {\set Timing.measureLength = #(ly:make-moment 2 4) cis4\tr a} {\set Timing.measureLength = #(ly:make-moment 3 4) cis4\tr a r} } \repeat volta 2 { r4 r e' | a a8 g a4 | fis\tr b8 a b4 | g c8 b c4 | % mesure 15 a2\tr a4 | d4. c8 b\tr [ a] | b c a4.\tr g8 | g4 b8 a b4 | e, a8 g a4 | % mesure 20 dis,4.\tr b'8 a[ b] | g a fis4.\tr e8 | e4 g8 fis g4 | r4 fis8 e fis4 | % mesure 25 r4 e8 d e4 | r4 e8 fis d e | cis4.\tr fis8 e[ fis] | d e cis4.\tr b8 | b4 fis'8 g fis g | % mesure 30 a4 a8 fis g a | b4 b8 a b cis | d4 d( cis8) d | cis2\tr a4 | r8 d cis d a d | % mesure 35 g, fis e fis g e | fis d' cis d a d | g,4. fis8 g[ e]| fis g e4.\tr d8 | d4 fis8 g fis g | %mesure 40 a4 a8 fis g a | b4 b8 a b cis | d4 d( cis8) d | cis2\tr a4 | r8 d cis d a d | %mesure 45 g, fis e fis g e | fis d' cis d a d | g,4. fis8 g[ e]| fis g e4.\tr d8 | } \alternative { { d2 r4} { d2.\bar "|."} } \pageBreak } \new Staff { \time 3/4 \key d \major \repeat volta 2 { \partial 4*1 d4 | a' a8 g a4 | fis4.\tr e8 d[ fis] | e4 cis\tr d | a2 a4 | d fis8 e d4 | %5 b2 b4 | e b8 cis d4 |cis4.\tr b8 a[ cis] | b4 gis\tr a | e2 \afterGrace gis4\tr ( { fis16[ gis16]) } } %10 \alternative { {\set Timing.measureLength = #(ly:make-moment 2 4) a2} {\set Timing.measureLength = #(ly:make-moment 3 4) a2 a4 } } \repeat volta 2 { e'4 e8 d e4 | cis\tr a \afterGrace cis4\tr ( { \stemDown b16[ cis16]) } | d4 g8 fis g4 | e a8 g a4 | %15 fis2\tr fis4 | b4. a8 g\tr [ fis] | g a fis4.\tr g8 |g2 b,4 | c2 a4 | %20 b4. g'8 fis[ g] | e fis dis4.\tr e8 | e4 e8 d e4 | cis\tr d8 cis d4 | b\tr cis8 b cis4 | %25 ais2\tr b4 | fis4. d'8 cis[ d] | b cis ais4.\tr b8 | b4 d8 e d e | %30 fis4 fis8 d e fis | g4. fis8 g[ e] | b'4 gis\tr e | a8 a e g fis a | d, fis e d cis b | %35 cis d cis d e cis | d fis e d cis b | cis4.\tr d8 e[ cis] | d e cis4.\tr d8 | d4 d8 e d e | fis4 fis8 d e fis | %40 g4. fis8 g[ e] | b'4 gis\tr e | a8 a e g fis a | d, fis e d cis b | cis d cis d e cis | %45 d fis e d cis b | cis4.\tr d8 e[ cis] | d e cis4.\tr d8 } \alternative { { d2 a4 } { d2. } } \pageBreak } >> \layout { indent = 0\cm \context { \Staff \override TimeSignature #'style = #'single-digit } } \header { piece= \markup { \italic \override #'(font-size . 3) "Prelude"}} } \score { \new ChoirStaff \relative c' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.VoltaBracket #'minimum-space = #6 \new Staff { \time 4/4 \key d \major \repeat volta 2 { a''4 e8 g fis e16 d \afterGrace cis8\tr [^( { \stemDown \ska b16[ \ska cis16]) } d8] | a4 cis8 a d e16 fis g a fis g | e8\tr a4 g16 a fis8\tr b ~ b a ~ | a[ g] ~ g fis16\tr e fis a g fis e8.\tr d16 | d8 a' b \afterGrace cis\tr ( { \stemDown b16[ cis16]) } d8[ a] d cis16\tr b | %5 cis8 e d cis b[ a] gis\tr a16 b | e, a gis a d, e cis d b cis d cis b8. a16 } \alternative { { a2 r8 a cis e } { a,4 e'8[ a16 e] fis8\tr [ d] a'[ d16 a] } } \repeat volta 2 { b8\tr [ g] d'[ b16 d] g,8 a16 b a8.\tr g16 | g4 b8 a16\tr g a8 g16\tr fis g8 fis16\tr e | %10 dis8[ b] b' a16\tr g a b g a fis8.\tr e16 | e4 g8 fis16\tr e fis8 e16\tr d cis d e cis | d8[ b] fis' gis16 a gis8 ais16 b ais b ais b | cis8 fis, g16 fis e g fis e d e cis8.\tr b16 | b8 b' a16 b g a fis8 a g16 a fis g | %15 e8\tr a4 g fis8 e16 fis d e | cis\tr a b cis d e fis g a2 | r16 d, e fis g a b cis d2 | r8 a8 b16 a g b a g fis g e8.\tr d16 | d8 a' b16 a g b a g fis g e8.d16} \alternative { { d4 e8 a16 e fis8\tr [ d] a' d16 a} { \time 2/2 d,1 } } \bar "|." \pageBreak } \new Staff { \time 4/4 \key d \major \repeat volta 2 { R1 | a'4 e8 g fis[ e16 d] \afterGrace cis8\tr [( {\ska b16[ \ska cis16]) } d8] | a4 cis8[ a] d g16 e cis8 fis16 d | b8 e16 cis a8 b16 cis d fis e d cis8.\tr d16 | d4 r r8 d[ fis \afterGrace g8\tr ]( { \stemDown fis16[ g16]) } | %5 a8 cis b a gis\tr fis e d | \afterGrace cis8\tr [( { \ska b16[ \ska cis16]) } d16 cis] b cis a b gis a b a gis8.\tr a16 } \alternative { { a8 a cis e a2 } { a,4 cis8[ a16 cis] d8[ d,] fis' d16 fis } } \repeat volta 2 { g8[ g,] b'[ g16 b] e,8[ fis16 g] fis8.\tr g16 | g4 r r b8 a16\tr g | %10 a8[ g16\tr fis] g8[ fis16\tr e] dis b e fis dis8.\tr e16 | e4 e8 d16\tr cis d8 cis16\tr b ais b cis ais | b4 d8[ cis16 b] e8[ fis16 g] fis8. b,16 | ais8\tr d e16 d cis e d cis b cis ais8.\tr b16 | b4 \afterGrace cis4\tr ( { \stemDown b16[ cis16]) } d8 fis e16 fis d e | %15 cis8\tr fis g e a[ d, \afterGrace cis8\tr ( { \ska b16[ \ska cis16]) } d8] | a2 r16 a b cis d e fis g | a2 r16 d, e fis g a b cis | d8 fis, g16 fis e g fis e d e cis8.\tr d16 | d8 fis g16 fis e g fis e d e cis8.\tr d16} \alternative { { d4 cis8[ a16 cis] d8[ d,] fis'[ d16 fis] } { d1 } } } >> \layout { indent = 0\cm } \header { piece= \markup \column { \italic \override #'(font-size . 3) "Allemande" }} } \score { \new ChoirStaff \relative c' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \override Score.RehearsalMark #'font-size = #1 \new Staff { \time 6/8 \key d \major \partial 8*4 a'8 d( e ) fis e4 a,8 \breathe e'( fis) g | fis( g) a cis,( d) e | a,4 \breathe a8 d( e) fis | e4 a,8 \breathe e'( fis) g | fis( g) a g4\tr fis8 | %5 e g fis e4\tr d8 | d4\once \override Score.RehearsalMark #'self-alignment-X = #right \mark "Fine " \bar "||" a'8 b cis d | cis\tr [ a] \breathe a b[ cis d] | a4 \breathe a8 b cis d | g,4 fis8 e a g | %10 fis\tr [ d] \breathe e fis gis a | gis\tr [ e] \breathe e fis gis a | e4 \breathe e8 fis gis a | d,4 cis8 b e d | cis\tr [ a] \breathe a d ( e) fis | %15 e4 a,8 \breathe e'( fis) g | fis( g) a cis,( d) e | a,4 \breathe a8 d( e) fis | e4 a,8 \breathe e'( fis) g | fis( g) a g4\tr fis8 | %20 e g fis e4\tr d8 | d4 e8 fis( e\tr ) d | cis4\tr \breathe cis8 d( cis\tr ) b | ais4\tr \breathe fis'8 gis ais b | ais\tr [ fis] \breathe fis gis ais b | %25 fis4 \breathe fis8 gis ais b | e, cis d cis4\tr b8 | b4 d8 e( fis ) g | fis\tr d e fis4\tr \afterGrace g8\tr ( { \stemDown fis16[ g16])} | a4 \once \override Score.RehearsalMark #'self-alignment-X = #right \override Score.RehearsalMark #'padding = #4.3 \mark "D.C. al Fine " \bar "|." \pageBreak %30 } \new Staff { \time 6/8 \key d \major \partial 8*4 r8 r4. r4. r8 r a, |d( e) fis e4 a,8 \breathe | e'( fis) g fis( g) a | cis,( d) e a,4 \breathe a8 | d( e) fis e4\tr d8 | %5 cis8 e d cis4\tr d8 d4 d8 g16 fis e8\tr d | a'4 a8 a g\tr fis | fis4 d8 g g fis | e4\tr d8 cis\tr a \afterGrace cis8\tr ( { \stemDown b16[ cis16])} | %10 d4 a8 d16 cis b8\tr a | e'4 e8 e d\tr cis | cis4 a8 d d cis b4\tr a8 gis\tr e \afterGrace gis8\tr ( { fis16[ gis16])} | a4. r4. | %15 r4. r8 r a |d( e) fis e4 a,8 \breathe | e'( fis) g fis( g) a | cis,( d) e a,4 \breathe a8 | d( e) fis e4\tr d8 | %5 cis e d cis4\tr d8 | d4 cis8 d( cis\tr ) b | ais4\tr ais8 b( ais\tr ) b | fis4 d'8 e16 d cis8\tr b | fis'4 fis8 fis e\tr d | %25 d4 b8 e e d | cis ais b ais4\tr b8 | b4 b8 cis( b\tr ) a | d b cis d4 \afterGrace e8\tr ( { \stemDown d16[ e16])} fis4 } >> \layout { indent = 0\cm } \header { piece= \markup { \italic \override #'(font-size . 3) "I." { \hspace #0 \raise #1.5 \italic "ere" } \override #'(font-size . 4) \italic "Rondeau" }} } \score { \new ChoirStaff \relative c' << \override Score.BarNumber #'font-shape = #'italic \override Score.BarNumber #'padding = #2.3 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \override Score.RehearsalMark #'font-size = #1 \override Score.RehearsalMark #'padding = #2 \new Staff { \time 2/2 \key d \major r4 a''8( g) fis( e) d( cis) | d4 g8( fis) e( fis) d( e) | \grace{ \stemDown d16^(} cis4) \grace { \stemDown b16^(} a4) d8( cis) d( e) | \override Script #'padding = #1.5 fis^\segno( d) e( fis) g( a) fis( g) | e4\tr a8( g) fis( e) d( cis) | %5 d4 g8( fis) e( fis) d( e) | \grace{ \stemDown d16^(} cis4) \grace { \stemDown b16^(} a4) d8( cis) d( e) | fis( a) g( fis) e4.\tr d8 | d8\once \override Score.RehearsalMark #'self-alignment-X = #right \mark "Fine " d fis d a'2 | r8 d, fis d a'2 | %10 r8 fis8 a fis b2 | r8 b8 a b gis4\tr b | e,8 e d e cis4 gis | a8 e' d e cis4 gis | a fis'8( e) d( e) cis( d) | %15 b cis d cis b4.\tr a8 | a4 a'8( g) fis( e) d( cis) | d4 g8( fis) e( fis) d( e) | \grace{\stemDown d16^(} cis4) \grace { \stemDown b16^(} a4) d8( cis) d( e) | fis( d) e( fis) g( a) fis( g) | %20 e4\tr a8( g) fis( e) d( cis) | d4 g8( fis) e( fis) d( e) | \grace{ \stemDown d16^(} cis4) \grace { \stemDown b16^(} a4) d8( cis) d( e) | fis( a) g( fis) e4.\tr d8 | d4 d' cis\tr b | %25 ais\tr r4 r2 | r4 d8 d cis d b cis | ais4\tr r4 r2 | r4 b8( a) g( fis) e( d) | e fis d e cis4.\tr b8 | %30 b2 r2 | r4 e8 fis g a b cis | d4 d d \afterGrace cis4\tr ( { \stemDown b16[ cis16])} | d4 d8 d d4 \afterGrace cis4\tr ( { \stemDown b16[ cis16])} %35 d4 a8( g) fis( e) d( cis) | d4 g8( fis) e( fis) d( e) | \grace{ \stemDown d16^(} cis4) \grace { \stemDown b16^(} a4) d8( cis) d( e) \once \override Score.RehearsalMark #'self-alignment-X = #right \mark "D.S. al Fine " \bar"|." } \new Staff { \time 2/2 \key d \major R1 | R1 | r4 a8( g) fis( e) d( cis) | d4 g8( fis) e( fis) d( e) | \grace{ \stemDown d16^(} cis4) \grace { \stemDown b16^(} a4) d8( cis) d( e) | %5 fis( d) e( fis) g( a) fis( g) | e4\tr a8( g) fis( e) d( cis) | d( fis) e( d) cis4.\tr d8 | d2 r8 a cis a | d2 r8 a cis a | %10 d2 r8 b d b | e2 r8 e d e | cis4 gis a8 e' d e | cis4 gis a8 e' d e | cis( e) d( cis) b( cis) a( b) | %15 gis a b a gis4.\tr a8 | a2 r2 | R1 | r4 a'8( g) fis( e) d( cis) | d4 g8( fis) e( fis) d( e) | %20 \grace{ \stemDown d16^(} cis4) \grace { \stemDown b16^(} a4) d8( cis) d( e) | fis( d) e( fis) g( a) fis( g) | e4\tr a8( g) fis( e) d( cis) | d( fis) e( d) cis4.\tr d8 | d2 r2 | %25 r4 b' ais\tr b | fis r4 r2 | r4 b8 b ais ais b b | fis4 g8( fis) e( d) cis( b) | ais4\tr b8 e, fis2 | %30 b4 b8 cis d e fis g | a4 g8\tr fis e fis g e | fis( g) fis( g) e( fis) g( e) | fis( a) g( fis) e( fis) g( e) | fis2 r2 %35 R1 | r4 a8( g) fis( e) d( cis) } >> \layout { indent = 0\cm \context { \Staff \override TimeSignature #'style = #'single-digit } } \header { piece= \markup { \italic \override #'(font-size . 3) "2."{ \hspace #0 \raise #1.5 \italic "e" } \override #'(font-size . 4) \italic "Rondeau" }} } %{ convert-ly (GNU LilyPond) 2.13.15 »« wird verarbeitet... Anwenden der Umwandlung: 2.12.3, 2.13.0, 2.13.1, 2.13.4, 2.13.10 %}